ENG 330 Studies in the Novel

(Posted by Karen Fulton on 9.30.98 at 10.57.41)


Missouri Western State College Division of Liberal Arts and Sciences Department of English, Foreign Languages, and Journalism 330: Studies in the Novel
Instructor: Class time and place: Office: Phone: e-mail: URL: Catalog Course Description: ENG 330 focuses on literary fiction in the form of the novel from its beginnings to the present day. Emphasizing genres of the novel (Bildungsroman, romance, stream-of-consciousness, historical, picaresque, etc.), the course will present thematic issues endeavoring to understand human experience from selected times and many cultures. Prerequisite for ENG 330: ENG 210 or 220 Required Texts: Barnes, Djuna. Nightwood. Behn, Aphra. Oroonoko. Bronte, Charlotte. Jane Eyre. Byatt, A. S. Possession: A Romance. Melville, Herman. The Confidence Man: His Masquerade. Morrison, Toni. The Bluest Eye. Nabokov, Vladimir. Lolita. Ondaatje, Michael. The English Patient. Roy, Arundhati. The God of Small Things. Sterne, Laurence. Tristram Shandy. Other Required Supplies: Supplemental Texts: Harmon and Holman. A Handbook to Literature, 7th Edition. Gibaldi, Joseph. MLA Handbook, 4th Edition. Stull, Andrew T. and Emily Thiroux. English on the Internet. Web Sites: Aphra Behn Society: Sites (Emory University) http://prometheus.cc.emory.edu/behn/sites.html The Shandean (University of Utrecht) http://www.let.uu.nl/~Peter.deVoogd/shandean/ zembla (Penn State University) http://www.libraries.psu.edu/iasweb/nabokov/zembla.htm Page for A.S. Byatt's _Possession_ (San Jose State University) http://www.sjsu.edu/depts/jwss.old/possession 18th Century English Novel Research Guide (West Virginia University) http://www.wvu.edu/users/library/www/etcnovel.htm British & Irish Authors (Nagoya University) http://lang.nagoya-u.ac.jp/~matsuoka/UK-authors.html American Authors on the Web (Nagoya University) http://lang.nagoya-u.ac.jp/~matsuoka/AmeLit.html Evaluation: Final grade is determined on the basis of a portfolio submitted at the date assigned. Guidelines for the portfolio and a tentative scoring rubric will be distributed early in the semester. Prior to portfolio submission, there will be opportunities to make minimal adjustments to the scoring rubric. At the end of the semester, two class days will be taken for individual portfolio conferences to determine the grade. The portfolio may be revised and resubmitted on the date stated. You may resubmit the portfolio only once. Early in the class, I will arrange an individual 10-15 minute meeting with each of you to discuss your portfolio. Minimum class standards to receive a passing grade (D) 1. Portfolio submitted on the date required; 2. Attendance at the instructor-student portfolio conference; 3. Credit and response for all paper assignments; 4. Four or fewer absences (which will constitute 2 weeks worth of work); 5. Attendance at the final session of the class. Attendance: Attendance is required in this class; attendance is taken on a regular (though not daily) basis. The portfolio/course grade will be lowered by excessive absences (4 or more), failure to prepare for class, or lack of class participation. More than six recorded daily absences will result in an F for the class. A student who does not attend and participate in the final session will receive an F for the class. Late and Missing Work: Papers are scheduled so I can do three readings of your work and return it at our next session. If you do not meet the due date, I do not guarantee return of the paper to you in a timely fashion. Policy on Students with Disabilities: It is the responsibility of the student to inform the instructor of any disability which might prevent maximum performance in the course (a hearing loss, for example) so accommodating procedures will exist. Policy on Academic Dishonesty: It is expected that all students will produce their own work. Student work which does not meet this criterion will be assessed under the penalties in the Student Handbook. Course Objectives and Topics to be Addressed in ENG 330: 1. Students will be able to read and understand selected novels from all over the world and from the beginnings to the present. 2. Students will be able to integrate these works with each other in larger webs of thematic meaning. 3. Students will obtain a knowledge of non-canonical novelists as well as canonical texts. 4. Students will hone their critical thinking abilities by writing about the texts and countertexts of the novel. 5. Students' skills in analysis the literary genres and work of the novel will be increased through close reading techniques and application of theoretical constructs to the works. 6. Students' ability to read and interpret texts will be increased through close and careful scrutiny of texts, integrated with the theoretical and historical backgrounds. 7. Students will become self-directed interpreters of, writers about and interactive participants in the literature by means of portfolio construction.